Bo Diddley's Beach Party is the eleventh album by rock musician Bo Diddley. Recorded live in concert in July 1963 at the Beach Club in Myrtle Beach, South Carolina, it is one of rock music's earliest live remote recordings. The album was a success in the UK Album Charts reaching #13 on July 3rd and stayed on the charts for 6 weeks.http
*Bo Diddley – lead vocals, lead guitar
*Jerome Green – maracas, backing vocals
*Norma-Jean Wofford (The Duchess) – rhythm guitar, backing vocalshttp
*Marshall Chess, Max Cooperstein – producers
*John Brooks – engineer
Category:Bo Diddley albums
Category:1963 live albums
Category:Checker Records live albumsThis text has been derived from Bo Diddley's Beach Party on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0
Ellas Otha Bates (December 30, 1928 – June 2, 2008), known by his stage name Bo Diddley, was an American rhythm and blues vocalist, guitarist, songwriter (usually as Elias McDaniel), and inventor. He was also known as "The Originator" because of his key role in the transition from the blues to rock & roll, influencing a host of acts including Buddy Holly, Jimi Hendrix, The Rolling Stones, The Velvet Underground, The Clash, The Yardbirds, and Eric Clapton. He introduced more insistent, driving rhythms and a hard-edged guitar sound on a wide-ranging catalog of songs. Accordingly, he was inducted into the Rock and Roll Hall of Fame and received Lifetime Achievement Awards from the Rhythm and Blues FoundationRhythm and Blues Foundation and a Grammy Award from the National Academy of Recording Arts and Sciences. He was known in particular for his technical innovations, including his trademark rectangular guitar.
Early life and career
Born in McComb, Mississippi, as Ellas Otha Bates,Some sources give his name as Otha Ellas Bates. he was adopted and raised by his mother's cousin, Gussie McDaniel, whose surname he assumed, becoming Ellas McDaniel. In 1934, the McDaniel family moved to the largely black South Side area of Chicago, where the young man dropped the name Otha and became known as Ellas McDaniel, until his musical ambitions demanded that he take on a more catchy identity. In Chicago, he was an active member of his local Ebenezer Baptist Church, where he studied the trombone and the violin, becoming proficient enough on the latter for the musical director to invite him to join the orchestra, with which he performed until the age of 18. He was more impressed, however, by the pulsating, rhythmic music he heard at a local Pentecostal Church, as well as an interest in the guitar.
Inspired by a concert where he saw John Lee Hooker perform, he supplemented his work as a carpenter and mechanic with a developing career playing on street corners with friends, including Jerome Green (c. 1934–1973), in a band called The Hipsters (later The Langley Avenue Jive Cats). During the summer of 1943–44, he played for tips at the Maxwell Street market in a band with Earl Hooker. By 1951 he was playing on the street with backing from Roosevelt Jackson (on washtub bass) and Jody Williams (whom he had taught to play the guitar).Dahl, Bill (2002). Jody Williams—Return Of A Legend Williams later played lead guitar on "Who Do You Love?" (1956). In 1951 he landed a regular spot at the 708 Club on Chicago's South Side, with a repertoire influenced by Louis Jordan, John Lee Hooker, and Muddy Waters.
In late 1954, he teamed up with harmonica player Billy Boy Arnold, drummer Clifton James, and bass player Roosevelt Jackson, and recorded demos of "I'm A Man" and "Bo Diddley". They re-recorded the songs at Chess Studios with a backing ensemble comprising Otis Spann (piano), Lester Davenport (harmonica), Frank Kirkland (drums), and Jerome Green (maracas). The record was released in March 1955, and the A-side, "Bo Diddley", became a #1 R&B hit.
McDaniel adopted the stage name "Bo Diddley". The origin of the name is somewhat unclear, as several differing stories and claims exist. Bo Diddley himself said that the name first belonged to a singer his adoptive mother was familiar with, while harmonicist Billy Boy Arnold once said in an interview that it was originally the name of a local comedian that Leonard Chess borrowed for the song title and artist name for Bo Diddley's first single. A "diddley bow" is a typically homemade American string instrument of African origin, probably developed from instruments found on the coast of west Africa.Chris Morris, I'm A Man: The Chess Masters, 1955-1958 liner notes, Geffen Records, February 2007
Success in the 1950s and 1960s
On November 20, 1955, he appeared on The Ed Sullivan Show, a popular television variety show, where he infuriated the host. "I did two songs and he got mad," Bo Diddley later recalled. "Ed Sullivan said that I was one of the first colored boys to ever double-cross him. Said that I wouldn't last six months". The show had requested that he sing the Merle Travis-penned Tennessee Ernie Ford hit "Sixteen Tons", but when he appeared on stage, he sang "Bo Diddley" instead. This substitution resulted in his being banned from further appearances.
The request came about because Sullivan's people heard Diddley casually singing "Sixteen Tons" in the dressing room. Diddley's accounts of the event were inconsistent.TV-a-Go-Go: Rock on TV from American Bandstand to American Idol. Jake Austen.
Edition: illustrated. Chicago Review Press. 2005. pages 14, 15.
ISBN 1-55652-572-9, 9781556525728
Chess included Diddley's recording of "Sixteen Tons" on the album Bo Diddley Is a Gunslinger, which was originally released in 1960.
He continued to have hits through the rest of the 1950s and even the 1960s, including "Pretty Thing" (1956), "Say Man" (1959), and "You Can't Judge a Book by the Cover" (1962). He released a string of albums whose titles, including Bo Diddley Is a Gunslinger and Have Guitar, Will Travel, were bolstered his self-invented legend. Between 1958 and 1963, Checker Records released 11 full-length albums by Bo Diddley. Although he broke through as a crossover artist with white audiences (appearing at the Alan Freed concerts, for example), he rarely tailored his compositions to teenage concerns.
In 1963, he starred in a UK concert tour with the Everly Brothers and Little Richard. The Rolling Stones, still barely known outside London at that time, appeared as a supporting act on the same bill.
In addition to the many songs recorded by him, in 1956 he co-wrote, with Jody Williams, the pioneering pop song "Love Is Strange", a hit for Mickey & Sylvia in 1957.
Bo Diddley was one of the first American male musicians to include women in his band, including "The Duchess" Norma-Jean Wofford, Peggy Jones (aka "Lady Bo"), Cornelia Redmond (aka Cookie), and Debby Hastings, who led his band for the final 25 years of his performing career. He also set up one of the first home recording studios.
Bo-Diddley.jpgthumb250pxrightBo Diddley touring Japan with Japanese band Bo Gumbos.
Over the decades, Bo Diddley's venues ranged from intimate clubs to stadiums. On March 25, 1972, he played with The Grateful Dead at the Academy of Music in New York City. The Grateful Dead released part of this concert as Volume 30 of the band's Dick's Picks concert album series. Also in the early 1970s, the soundtrack for the ground-breaking animated film Fritz The Cat contained his song "Bo Diddley", in which a crow idly finger-pops along to the track.
Bo Diddley spent many years in New Mexico, living in Los Lunas, New Mexico from 1971 to 1978 while continuing his musical career. He served for two and a half years as Deputy Sheriff in the Valencia County Citizens' Patrol; during that time he personally purchased and donated three highway patrol pursuit cars. In the late 1970s, Diddley left Los Lunas and moved to Hawthorne, Florida where he lived on a large estate in a custom made log-cabin home, which he helped to build. For the remainder of his life he spent time between New Mexico and Florida, living the last 13 years of his life in Archer, Florida, a small farming town near Gainesville.
He appeared as an opening act for The Clash in their 1979 US tour; in Legends of Guitar (filmed live in Spain, 1991) with B.B. King, Les Paul, Albert Collins, George Benson, among others, and joined The Rolling Stones as a guest on their 1994 concert broadcast of Voodoo Lounge, performing "Who Do You Love?" with the band. Sheryl Crow and Robert Cray also appeared on the pay-per-view special.
Bit acting parts
His pawnbroker character's offering Louis Winthorpe III "fifty bucks" created one of more quoted scenes in 1983's Trading Places. In the late 1980s, he teamed with Bo Jackson in Nike's famous "Bo Knows" commercials, saying his one line: "Bo, you don't know Diddley!"
In 1998, Bo appeared alongside legendary guitarists B.B. King, Eric Clapton, and Jeff "Skunk" Baxter as members of the Louisiana Gator Boys in the film Blues Brothers 2000.
In 1982, Bo was featured in the music video, Bad To The Bone by George Thorogood and the Destroyers as a pool shark.
Bo Diddley achieved numerous accolades in recognition of his significant role as one of the founding fathers of rock and roll.
*1986: inducted into the Washington Area Music Association's Hall of Fame.
*1987: inducted the Rock and Roll Hall of Fame and the Rockabilly Hall of Fame.
*1990: Lifetime Achievement Award from Guitar Player magazine.
*1998: Lifetime Achievement Awards from the Rhythm and Blues Foundation and the National Academy of Recording Arts and Sciences.
*1999: His 1955 recording of his song "Bo Diddley" inducted into the Grammy Hall of Fame as a recording of lasting qualitative or historical significance.
*2000: Inducted into the Mississippi Musicians Hall of Fame and into the North Florida Music Association's Hall of Fame.
*2002: Pioneer in Entertainment Award from the National Association of Black Owned Broadcasters
*2002: Bo Diddley was honored as one of the first BMI Icons at the 50th annual BMI Pop Awards. He was presented the award along with BMI affiliates Chuck Berry and Little Richard.
*2008: Although confirmed before his death in June, 2008, an honorary degree was posthumously conferred upon Diddley by the University of Florida in August 2008.
*2009: Florida's Secretary of State announces Bo's induction into the Florida Artists Hall of Fame (induction to occur during Florida Heritage Month, March 2010).
*2010: Bo Diddley was inducted into the Hit Parade Hall of Fame.
In 2003, U.S. Representative John Conyers paid tribute to Bo Diddley in the United States House of Representatives describing him as "one of the true pioneers of rock and roll, who has influenced generations".
In 2004, Mickey and Sylvia's 1956 recording of his song "Love Is Strange" was inducted into the Grammy Hall of Fame as a recording of qualitative or historical significance, and he was inducted into the Blues Foundation's Blues Hall of Fame. In 2004, Rolling Stone ranked him #20 on their list of the .
In 2005, Bo Diddley celebrated his 50th anniversary in music with successful tours of Australia and Europe, and with coast-to-coast shows across North America. He performed his song "Bo Diddley" with Eric Clapton, Robbie Robertson, and longtime bassist and musical director Debby Hastings at the Rock and Roll Hall of Fame's 20th annual induction ceremony and in the UK, Uncut magazine included his 1957 debut album "Bo Diddley" in its listing of the '100 Music, Movie & TV Moments That Have Changed The World'.
In 2006, Bo Diddley participated as the headliner of a grassroots organized fundraiser concert, to benefit the town of Ocean Springs, Mississippi, which had been devastated by Hurricane Katrina. The "Florida Keys for Katrina Relief" had originally been set for October 23, 2005, when Hurricane Wilma barreled through the Florida Keys on October 24, causing flooding and economic mayhem. In January 2006, the Florida Keys had recovered enough to host the fundraising concert to benefit the more hard-hit community of Ocean Springs. When asked about the fundraiser Bo Diddley stated, "This is the United States of America. We believe in helping one another.". In an interview with Holger Petersen, on Saturday Night Blues on CBC Radio in the fall of 2006 Bo Diddley commented about the racism that existed in the music industry establishment during the early part of his career that saw him deprived of his royalties from the most successful part of his career.
Bo Diddley performed a number of shows around the country in 2005 and 2006 with the fellow Rock and Roll Hall of Famer Johnnie Johnson Band, featuring Johnson on keyboards, Richard Hunt on drums, and Gus Thornton on bass. But from 1985 until he died, his touring band consisted of Debby Hastings (bass/musical director), Frank Daley (guitar), Yoshi Shimada or Sandy Gennaro (drums), and his personal manager, Margo Lewis (keyboards).
On May 13, 2007, Bo Diddley was admitted to intensive care in Creighton University Medical Center in Omaha, Nebraska, following a stroke after a concert in Council Bluffs, Iowa on May 12. Starting the show, he had complained that he didn't feel well. He referred to smoke from the wildfires that were ravaging South Georgia and blowing south to the area near his home in Archer, Florida. Nonetheless, he delivered an energetic performance to an enthusiastic crowd. The next day, as Bo Diddley was heading back home, he seemed dazed and confused at the airport. His manager, Margo Lewis, called 911 and airport security and Bo was immediately taken by ambulance to Creighton University Medical Center and admitted to the Intensive-care unit, where he stayed for several days. After numerous tests, it was confirmed that Bo Diddley had suffered a stroke. He had a history of hypertension and diabetes, and the stroke affected the left side of his brain, causing receptive and expressive aphasia (speech impairment). The stroke was followed by a heart attack, suffered in Gainesville, Florida, on August 28, 2007.Ben Ratliff, . New York Times, June 3, 2008, p. A1
While recovering from the stroke and heart attack, Diddley came back to his home town of McComb, Mississippi, in early November 2007 for the unveiling of a plaque devoted to him on the National Blues Trail stating that he was "acclaimed as a founder of rock and roll." He was not supposed to perform, but as he listened to the music of local musician Jesse Robinson who sang a song written for this occasion, Robinson sensed that he wanted to perform and handed him a microphone. That was the first and last time that Bo Diddley performed publicly after suffering a stroke.
Bo Diddley died on June 2, 2008 of heart failure at his home in Archer, Florida.. Associated Press. June 2, 2008. Garry Mitchell, a grandson of Diddley and one of more than 35 family members at the musician's home when he died at 1:45 a.m. EDT (05:45 GMT), said his death was not unexpected. "There was a gospel song that was sung (at his bedside) and (when it was done) he said 'wow' with a thumbs up," Mitchell told Reuters, when asked to describe the scene at Diddley's deathbed. "The song was 'Walk Around Heaven' and in his last words he said 'I'm going to heaven.'"
His funeral, a four-hour "homegoing" service, took place on June 7, 2008, at Showers of Blessings Church in Gainesville, Florida and kept in tune with the vibrant spirit of Bo Diddley's life and career. The many in attendance chanted "Hey Bo Diddley" as a gospel band played the legend's music. A number of notable musicians sent flowers, including: George Thorogood, Tom Petty, and Jerry Lee Lewis.Farrington, Brendon. "Bo Diddley Gets a Rocking Sendoff at Fla. Funeral," Miami Herald (June 8, 2008)
http accessed: 09 June 2008"Bo Diddley." Calgary Herald (June 8, 2008) (http://www.canada.com/calgaryherald/news/story.html?id=55a1635a-bd00-4662-9dfd-26fe5f5eb6e6 accessed 8 June 2008) Little Richard, who had been asking his audiences to pray for Bo Diddley throughout his illness, had to fulfill concert commitments in Westbury and New York City the weekend of the funeral. He took time to remember Bo Diddley, his friend of a half-century, performing his namesake tune in his honor. JamBase.com. June 6, 2008
After the funeral service, a tribute concert was held at the Martin Luther King Center, also in Gainesville, and featured his touring band, The Debby Hastings Band, and guest artist Eric Burdon.
In the days following his death, tributes were paid to him by then-President George W. Bush, the United States House of Representatives, and an uncounted number of musicians and performers, including Eric Burdon, Elvis Costello, Ronnie Hawkins, Mick Jagger, B. B. King, Tom Petty, Robert Plant, Bonnie Raitt, George Thorogood, Robert Randolph and the Family Band, the Black Lips and Ronnie Wood. He was posthumously awarded a Doctor of Fine Arts degree by the University of Florida for his influence on American popular music and in its "People in America" radio series about influential people in American history, the Voice of America radio service paid tribute to him, describing how "his influence was so widespread that it is hard to imagine what rock and roll would have sounded like without him." Mick Jagger stated that "he was a wonderful, original musician who was an enormous force in music and was a big influence on The Rolling Stones. He was very generous to us in our early years and we learned a lot from him." Jagger also praised the late star as a one of a kind musician, adding, "We will never see his like again."http://showbizspy.com/news/06032008/mick-jagger-leads-tribute-for-diddley As his bass player Debby Hastings said: he was the rock that the roll was built on."
The documentary film Cheat You Fair: The Story of Maxwell Street by director Phil Ranstrom features Bo Diddley's last on-camera interview.
His stage name is echoed in the name of Bo, chosen in April 2009 by United States President Barack Obama's family as the "first dog".
In November 2009 the guitar used by Diddley in his last-ever stage performance sold for $60,000 at auction.
The Bo Diddley beat
3-2 son clave 4-4.pngthumb250pxright"Bo Diddley beat"/Son clave .
Bo Diddley was well known for the "Bo Diddley beat," a rumba-like beat similar to "hambone", a style used by street performers who play out the beat by slapping and patting their arms, legs, chest, and cheeks while chanting rhymes.Roscetti, Ed (2008). Stuff! Good Drummers Should Know, p. 16. Hal Leonard Corporation. ISBN 1-4234-2848-X. Somewhat resembling "shave and a haircut, two bits" beat, Diddley came across it while trying to play Gene Autry's "(I've Got Spurs That) Jingle, Jangle, Jingle". Three years before Bo's "Bo Diddley", a song that closely resembles it, "Hambone", was cut by Red Saunders' Orchestra with The Hambone Kids.
In its simplest form, the Bo Diddley beat can be counted out as a two-bar phrase:
:"One and two and three and four and one and two and three and four and..."
The bolded counts are the clave rhythm. "Shave and a haircut, two bits", another clave derivative, also fits, as does the non-musician's count of "one-two-three one-two".
His songs (for example, "Hey Bo Diddley" and "Who Do You Love?") often have no chord changes; that is, the musicians play the same chord throughout the piece, so that the rhythms create the excitement, rather than having the excitement generated by harmonic tension and release. In his other recordings, Bo Diddley used a variety of rhythms, from straight back beat to pop ballad style to doo-wop, frequently with maracas by Jerome Green.
Also an influential guitar player, he developed many special effects and other innovations in tone and attack. Bo Diddley's trademark instrument was the rectangular-bodied Gretsch nicknamed "The Twang Machine" (referred to as "cigar-box shaped" by music promoter Dick Clark). Although he had other odd-shaped guitars custom-made for him by other manufacturers throughout the years, most notably the "Cadillac" design made by Tom Holmes (who also made guitars for ZZ Top's Billy Gibbons, among others), Diddley fashioned the square guitar himself around 1958 and wielded it in thousands of concerts over the years. In a 2005 interview on JJJ radio in Australia, Bo implied that the design sprang from an embarrassing moment. During an early gig, while jumping around on stage with a Gibson L5 guitar, he landed awkwardly hurting his groin.httphttp He then went about designing a smaller, less restrictive guitar that allowed him to keep jumping around on stage while still playing his guitar. He also played the violin, which is featured on his mournful instrumental "The Clock Strikes Twelve", a 12-bar blues.
He often created lyrics as witty and humorous adaptations of folk music themes. The song "Bo Diddley" was based on the African American clapping rhyme "Hambone" (which in turn was based on the lullaby "Hush Little Baby"). Likewise, "Hey Bo Diddley" is based on the song "Old MacDonald". The rap-style boasting of "Who Do You Love", a wordplay on hoodoo, used many striking lyrics from the African-American tradition of toasts and boasts. His "Say Man" and "Say Man, Back Again," both of which were later cited as progenerators of hip-hop music, share a strong connection to the insult game known as "the dozens". For example: "You got the nerve to call somebody ugly, why you so ugly the stork that brought you into the world ought to be arrested"."Say Man" (McDaniels) 1958
Notable cover versionsThis text has been derived from Bo Diddley on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0